‘Endless Frames’ imagines a cavern-like tunnel which references traditional Chinese wooden door and window frames—acting as a time tunnel, where the context of Kwai Chai Hong lends itself to the historical background for this piece. It reflects on the heritage of our past. Similarly, its ghost-like appearance projects an ambiguity in the future we are heading to—a small commentary on needing to preserve our cultural heritage in a rapidly changing world.
Collaboration: Kwai Chai Hong.
Photograph by : Aaron wong, Annice Lyn, Ewyn Shum